Votre Pièce de Théâtre et l'IA
Votre Pièce de Théâtre et l'IA
Walid Bergaoui
Your Stage Play and AI
You have a story that's asking to be performed — characters who speak, silences that carry weight, a scene you can already picture. This training gives you the power to write it and carry it all the way to the boards of a theater. You are the artist: your story, your characters, and your lines remain at the heart of everything. What you learn here is how to direct powerful AI tools — Claude, Claude Code, OpenAI, Gemini, Firefly, HeyGen, TTSMaker — to transform your vision into a polished play, ready to be read and presented to a company.
The approach is hands-on. You begin by mastering your tools — understanding AI, setting up your environments, the art of the prompt, organizing your projects, and collaboration between agents — so you take control rather than being controlled. You then build your play: a structure in acts and scenes designed for the stage, characters and arcs, and the heart of theater — the line, the monologue, the subtext — before bringing the manuscript up to standard and putting together the presentation packet. And because in theater every word is spoken aloud, you learn to audit your text with AI: repetitions, overly long sentences, the balance of scenes and of your characters' presence.
By the end of the program, you walk away with a complete, professionally formatted play, a presentation packet, and a lively first reading of your text — ready to win over a company — along with a mastery of the tools that will serve all your future work. You will have written and directed everything yourself, from the first line to the final curtain: AI will have been nothing more than the formidable lever for your talent. Because the work bears only one signature — yours.
Plus: your play published and read
Your text deserves to be discovered. Once your play is written, BSF gives it the stage and the audience:
Free hosting — your play is published online on BSF, at no cost.
Your personal page — a showcase in your name to gather all your plays.
A real audience — your readers discover you, react (emojis, comments) and share your play on the BSF social network, Facebook, and other networks.
Program — 16 sessions of 1 hour
You are the artist: we train you to direct powerful AI tools to write your play and carry it to a company. The journey begins with mastering the tools, then applies them to your play, all the way to the audit that brings it to its best.
Core track — Mastering AI (sessions 1-6)
1. AI, how it works and its limits — models, memory and context, compaction, hallucination, validation. The principle: you are the artist, AI is the tool.
2. Setting up your environments — Claude Desktop, Claude Code, Codex, Gemini CLI, Claude Browser; and the basics of HTML to understand your exports.
3. The art of the prompt — giving clear instructions to get exactly what you want.
4. Organizing your projects for AI — reference files and MD files: the « memory » of your project, for consistent results.
5. Making multiple agents collaborate — agents and tester agents, the validation system, and the mistake never to make (two agents on the same task).
6. Creative tools, rights & watermark — TTSMaker, HeyGen, Firefly, Adobe Stock: uses, usage rights, and ownership of your creations.
Theater specialization — Designing for the stage (sessions 7-10)
7. Dramatic structure — building your play in acts and scenes.
8. Thinking for the stage — crafting a performable narrative: set, entrances and exits, the constraints of the stage.
9. Your characters — complete profiles: traits, motivations, and dramatic arcs.
10. The art of the line — living dialogue and monologues, charged with subtext, with distinct voices.
Theater specialization — Formatting (sessions 11-13)
11. Rhythm & stage presence — calibrating duration, balancing entrances and exits and each character's presence.
12. The theatrical manuscript — bringing your text up to standard (stage directions, lines, cast) and exporting it as a clean PDF.
13. The packet & visual world — synopsis and director's statement for a company, a moodboard for the set, the staging, and the costumes.
Theater specialization — Auditing & bringing to life (sessions 14-16)
14. Auditing your play — repetitions and overly long sentences in the dialogue, the balance of scenes and of character presence, the flow of the narrative.
15. The staged reading — having your lines read aloud (dramatized reading) with TTSMaker, and adding sound atmospheres.
16. Showing & presenting — short video sequences (HeyGen) and assembling a presentation to carry your play to a company.
Is your work ready?
Publish it for free on BSF: your work online, your own author page, your audience.
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